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The latest addition to my "Creature Corner"! (NSFW via Creature Boobs!)

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It's been awhile since I have done an updated featuring any new additions to my beloved "Creature Corner", but I felt the need to post some pics of this resin "SheCreature" I purchased off of Mike (from Vampire Robots) yesterday! 





Posing with my Terry Cruikshank Creature model I got at Monster Mania a few years back!
New Friends!

- Tom




Enter To Win A "Trick 'r Treat" Poster from artist Johnny Destructo . . .

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Last Evening (10/10/14) The Colonial Theatre hosted a rare 35mm Screening of Michael Dougherty's 2007 Halloween Themed Horror Flick "Trick 'r Treat"!
The Poster you see at the top of this page is from artist Johnny Destructo (ESTY Page) and was made exclusivity for this special Event and I made sure to grab an extra poster for the latest SMF Giveaway! So if would you like to add Sam to your home or office but couldn't make it out to the theater, here is your chance to Win one! To Enter Just Answer the Question below and follow the Simple Contest Rules As Well:

First I ask for you to please Join/Like Johnny's FaceBook Page which can be found right HERE . . .
After doing that come on back to this Contest Page and tell us what your Favorite Scene from "Trick 'r Treat " is . . .
Leave Your Answer In The Comments Section here in this Post and Please Do So Before The Deadline of Midnight November 1st (Sam wouldn't have it any other way!)
Please also include your Email Address or a way to reach you if you are the Winner!
 All entries will be given a Number and a Winner will be picked out using the Quick Random Number Generator App on my phone, so best of luck and thanks playing!


* For 2 Bonus Chances To Win *
Re-tweet this tweet that's dated (1:50 PM - 11 Oct 2014 ) over at my Twitter Page (https://twitter.com/ShitMovieFest )

Or head over to the SMF Instagram Page (http://instagram.com/shit_movie_fest) and repost/tag this photo!


- Tom
SMF on Facebook: https://www.facebook.com/ShitMovieFest
SMF on Instagram: http://instagram.com/shit_movie_fest
SMF on Twitter: https://twitter.com/ShitMovieFest
SMF on Tumblr: http://shitmoviefest.tumblr.com/

Pledge "Alpha Girls" today for a chance to Win a Limited Edition Alpha Girls DVD!

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"Alpha Girls" Staring Falon Joslyn, Nikki Bell, and rising Scream Queen Nicole Cinaglia!
(Watch the Alpha Girls Trailer: HERE!)

To celebrate the recent DVD Release of the Hit Sorority Horror Flick "Alpha Girls", the SMF Blog has teamed up with the movie's Directors Tony Trov & Johnny Zito  for a contest to give out a DVD Copy to one Lucky Winner!


 To Enter all we ask you to do is Pledge Alpha Girls by liking the official Alpha Girls Facebook Page (that can be found right HERE!)
After doing that please return here at the blog and answer one or both of the following questions in the comments section below!


1: Who was your favorite Teacher or Faculty Member in a Horror/Cult Movie? (Perry King as Mr. Andrew Norris in "Class of 1984" for me)
OR 

2: Favorite "Queen Bee" / Head Bitch in a Horror/Cult Movie? (My pick goes to "Heather Chandler" in Heathers"!)

Get you answers in by Midnight November 28th and we might just consider you for the Sorority!


* For 2 Bonus Chances To Win *
Re-tweet this tweet that's dated (Oct. 31st 5:32 AM ) over at my Twitter Page (https://twitter.com/ShitMovieFest )

Or head over to the SMF Instagram Page (http://instagram.com/shit_movie_fest) and simply like this photo!



- Tom
SMF on Facebook: https://www.facebook.com/ShitMovieFest
SMF on Instagram: http://instagram.com/shit_movie_fest
SMF on Twitter: https://twitter.com/ShitMovieFest
SMF on Tumblr: http://shitmoviefest.tumblr.com/

How I Spent My Halloween in 31 Pictures!!!

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Here's some pics of how I spent my Halloween Season this year including a trip to a Horror Convention, a 35mm Screening of "Trick 'r Treat", a Costume Party, and a Wedding on the same grounds that Edgar Allen Poe is buried!

We start with Monster-Mania Convention that was held in Hunt Valley, Maryland!
On Saturday October 4th my friends Jay (of Icon vs Icon), Jeff, Katheri and I attended the show!


John Franklin (Isaac) and Courtney Gains (Malachai) from the 80s Classic "Children of the Corn"!

A signed 8x10 from both actors!


About to enjoy my 3 Favorite Pumpkin/Fall Beers! 

My Monster Mania Buys!

I also found a copy of Wes Craven's "Deadly Friend" on VHS! 

Mania got me on the hunt for all the Funko's Sci-fi Mystery Mini Line!

Enjoying a Chilled Fireball Shot with Kat.

Oct 10 in Phoenixville, Pa for a screening of "Trick 'r Treat" in 35mm!
The Colonial Movie Theater's Marquue 

Artist Johnny Destructod's Poster for the Special Event!

The following set of pictures are of the Halloween Party I attended on 10/18 hosted by The Lombardo's ! 

I always wanted to go as Return of the Living Dead's Freddy for Halloween one year, tracking down this shirt was a great head start!

But I have my longest friend Louanne to thanks for really making this dream a reality!




The Final Look!

Thom Mathews Approved!
Thanks again Kristy Jett for getting this pic to the real "Freddy"!

Me with Nikki (on of the co-host) dressed as The Book of Life's LA MUERTE!

The Whole Gang!

Me with the party's other host Sick Nick as Pet Sematary's Victor PAscow!

My 1st Place Ribbon for Best Costume!

The Last set of pictures all come from my friends Jeff and Katherine's Wedding that took place  on 10/25 at Westminster Hall in Baltimore, Maryland! Westminster is most famous for being the place where Edgar Allan Poe is buried!


Cocktail Hour in the Cemetery!

We got a private tour of the catacombs underneath the Hall!


Me next to the grave of Mr. Poe!

Back inside for the Reception, Kat and Jeff no me well cause they sat me at the Black Lagoon table!

A pic of the hall's beautiful organ!


Poe's Grave at Night!

Feeling a little like a certain American Psycho 

Having Fun at The After Party!

One more with the happy Bride and Groom!
Thanks again guys for letting me be part of your special day!


Well that's my Halloween Season in 31 Pictures, I hope everyone reading this had as much for as I did this month and now lets us prepare for SHITMAS 2014!

- Tom
SMF on Facebook: https://www.facebook.com/ShitMovieFest
SMF on Instagram: http://instagram.com/shit_movie_fest
SMF on Twitter: https://twitter.com/ShitMovieFest
SMF on Tumblr: http://shitmoviefest.tumblr.com/








Looking for Contributors/Guess Writters for Shitmas 2014!

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(Banner via Christine Larsen)

There are few things that bum me out more then the days few after Halloween, we wait all year for for our favorite day to arrived and then it's over before you know it . . .
 But in the last couple years the end of Halloween has made way for the coming of "Shitmas" here at The Shit Movie Fest Blog!
Yeah I know that Halloween's body isn't even cold yet, but in order to get everything together in time for December, I gotta ask now who's in for a forth helping of Shitmas?!?

So by now you may be wondering what actually this "Shitmas" thing is all about, well the best way I can describe it is once a year some of the best writers in the Horror Blogging Community and Friends of the SMF Page come together to do all kind of write-ups for the Holiday Season! There are Reviews or Lists about Holiday Movies, features on Old-school Toys, a few Giveaways/Contests, etc.
Read All the "Ghost of Shitmas Past" Right Here (2011 , 2012 , and 2013!)

So far here's who signed up Year Four of Shitmas and also their blog/websites!

01. Chuck "Cyanide Rush" called dibs on "Rare Exports"!
02. Steve Johnson (of Icon vs Icon) is writing about the Chuck Norris film "Invasion U.S.A."!
03. Manny of Mass Grave Pictures has picked "Rosemary's Baby"!
04: Artist John Tatarelli of Art Of John Tatarelli Jr will be bringing us a post on "Prometheus"!
05: James Harris akah Doc Terror is cooking up a post on "Nester the Long Eared Christmas Donkey"!
06: Chad of the The Horror Movie Barbecue will be writing about "Garfield's Christmas"!
07: Stacy Still of Stay Still Reviews is working on a "Die Hard" Drinking Game!
08: Jesse Bartel will have a post about the slasher remake "Silent Night"!
09: Eric King has called dibs on "Inside"!
10: Jeff Mahady has picked the 90s Nic Cage Classic "Trapped In Paradise"!
11: Mary Bastian of Bastians Boutique will brings us a post on 'Harley's Holiday' from The Adventures of Batman and Robin cartoon series!
12: Tom Coombs will brave a viewing of  Kirk Cameron's "Saving Christmas"!
13: Chris Gormley claimed "The Ice Harvest"!
14:  Dr. Jose of Nerd City Online / Craporama Films has called dibs on one of my favorite slashers "Terror Train"!
15: Richelle Charkot of the Southpawd Podcast will have a post on "Santa Clause Conqurs the Martians"
16:  Jason Christopher of Auld Fang Syne will be reviewing The Yattering & Jack (Christmas episode of Tales from the Darkside)
17:  Kristy Locklin from the blog Cradle to the Grave has a feature in the works about the set of "Gremlins" read-a-long books and records!
18: Patrick Dolan of Rue Morgue Magazine has picked the movie "Alien Sex Party" to write about!
19: Danny Mozz of The Shock Chamber will have a write up on both of Bob Clarks's Christmas Classics!
20 Freddie You and the crew of  Midnight Confessions Podcast will be joining us for a few posts over the month covering topics such as Best and Worst X-mas Movies!
21: Justin LaLiberty of Paracinema.net has a Triple Feature of Cop Christmas Movies with "I Come In Peace", Cobra, and "Maniac Cop 2"!
22: Mike Cherkowsky of VampireRobots does a follow up to his best of Godzilla post from last year with covering the Very Worse of Godzilla!
22: John Squires aka Freddy In Space has called dibs on the Early 80s Classic "The Snowman"!
23: Bucky Schuyler of Horror Sci-fi and More is working on a post on the movie "Hogfather"!
24: Gabriel Baron has a write in the works on "Black Christmas" (1974)
25: Nigel Daniel of Terrible Movies for Terrible People will write about the shitty made for tv "Home Alone 5: The Holiday Heist"!
26: Russell Hackett gives an idea of what a "Christmas/Walking Dead on Ice" special would pan out!
27: Eric Martin of Guts and Grog Reviews will cover Emmet Otter's Jug-Band Christmas!
28: Jason Price of Icon vs. Icon takes on the 90s Rave Flick "Go"!
29: I'm going to do the Judge Reinhold/Fred Savage 80s Classic "Vice Versa"
30: Katherine Mahady got a case of  The "Turbulence" when she covers the Batshit Crazy Ray Liotta flick!
31: Chris Roberts of HalloweenLove.com will have a write up on the PeeWee's Playhouse Christmas Special!

^ The above list will be updated as more people get involved  . . .

Speaking of, if you are interested in participating, shoot me a message at either the Shit Movie Fest 
Facebook Page or via Email at ShitMovieFest@comcast.net
I'd like to have a majority of the entries received by Friday November 28th, the aim is to have at least one new post up each day from the first of December until the 25th!









Thanks Again For All Who are a Part of this, I couldn't do Shitmas without your Help and Support!

- Tom
http://shitmoviefest.tumblr.com/ (SMF on Tumblr; Page ran by Chris Gormley)

Garfield's Christmas Adventure! (A Shitmas Post from Chad Young of The Horror Movie BBQ!)

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I'm here to discuss one of my all time favorite Christmas specials - one that's on level with Charlie Brown yet it goes unnoticed. Yes, ladies and gentlemen, we're gonna kick off ShitMas...with Garfield's Christmas Adventure!


Garfield's not impressed with John's Christmas plans. Just wait...

We've become so accustomed to Garfield celebrating his holidays in normal comedic fashion - swindling Odie or Nermal out of candy or season dining fare in his lazy nature. But this time's a little different. You see, John wasn't hanging around his normal StinkTown, USA for Christmas. Abandon all thoughts of a normal big town Christmas for Arbuckle folk. We're talking an Arbuckle Family Christmas down on the Farm. Yes. John appears to cockblock any of Garfield's fun for the holiday season by informing him that instead of his yearly tradition of laying in his shoebox, he's heading to miles of cowpies and hillbillies sitting in rocking chairs. No wonder he's so pissed all the time.


The Arbuckle Family. Notice the only one with hair grinning like an arrogant bastard.

 Garfield arrives to very little fanfare. No one wants to see him. They want to see John. Why? I don't know. I have a hard time thinking anyone would want to see John. He always comes off as a Steve Guttenberg-like nuisance. Anyway, John reunites with his loving family, including DocBoy, his brother. You get the sense, much like any brothers, there's some tension. DocBoy seems to be the Andrew Ridgeley of the Arbuckle clan: less successful and less interesting. Judging by his lack of companionship, it's clear DocBoy is single and unloved. Which, listening to him talk and whine, you understand why. Maybe DocBoy's anger is over the fact he's named "DocBoy". I'd hammer punch my parents if they named me that.
KNEEL BEFORE GRANDMA!!!

 After the initial hurrah of John's dull arrival, we meet the glue that holds the Arbuckle clan together and my personal favorite character: Grandma Arbuckle. She's essentially the cool, motorcycle riding grandmother we all wish we had. Imagine Shelley Winters as Nana Mary on Roseanne minus 100 pounds with glasses and a lot of greys. She's a sweet old biddy and has more personality than the entire family she helped create. She's the greatest fictional grandma ever created.
So, Garfield becomes chummy with Grandma Arbuckle and the family ignores her as she takes a live creature into a kitchen to feed him. So, Ma and Pa Arbuckle start throwing their weight around and start handing out chores. While this goes on, Garfield naps, eats and does whatever else cats do. Odie, a man on a serious mission runs out to the shed to start sticking his nose in boxes and probably stealing old medications Pa forgot to throw out. In doing this, Garfield spots him and probably plans on calling the cops like the NARC he is. So, after stumbling around, spying on Odie, he falls into a bunch of old boxes. Doing so, makes a stack of old letters that fall on Garfield's head. As with any Christmas special, we're not told who's letters these are.
HEEEEEY KIDS...RUN!!!!
After a hearty Christmas eve dinner, the family tradition of reading Binky, The Clown Who Saves Christmas continues in irritating fashion. Pa Arbuckle recreates Binky's famous "HEYYYYYYYYYYY KIDS!" in a tone that will remind you of Regan in the Exorcist. Jon and DocBoy, with their childlike enthusiasm at an all time high, head to bed. Now, let's face it, even as adults, we still get excited the night before Christmas which I have a hard time being sarcastic about since I get that childlike enthusiasm too. But, overnight, they start getting irritating. Waking their father up at 1 am to ask if they can open presents. Clearly their lack of authority needs to be addressed. But, it's Christmas, so all is forgiven come 6 am. I feel like after being told to go to sleep, they snuck into dad's liquor cabinet, got in a fist fight over who has the better Hess Truck collection, cried and fell asleep on top of each other in front of the tree. Mother Arbuckle, meanwhile, made cookies when she woke up and yelled at her stupid sons.

NOTE: DocBoy hiding his sadness with an airplane.


The moment of truth has arrived. It's now 6 am and instead of keeping their adult responsibilities like chores and breakfast, John and DocBoy opt for presents. While the greed and averious continues, Garfield delivers a special present to Grandma, who sits in her chair and watches peacefully. In a very tender moment, Grandma reveals the letters Garfield found in the barn were from her late husband and it's been so long since she's laid on eyes them. It's very clear that Grandma and Garfield have a very special relationship, which continues into Garfield Thanskgiving Special aired two year later.
The true stars of this holiday.
Now, it's Garfield's turn. The weird barnyard contraption Odie was working on in the shed was revealed to be a back scratcher for his best friend and partner in crime, Garfield. After being touched with such Christmas Spirit, Garfield goes into a speech about giving gifts. Which leads to the Arbuckle's giving us a gift of their own: a song called "Old Fashioned Christmas Down On The Farm". Listen...


Yup...this song closes out an Arbuckle family Christmas. And oh boy what a memorable Christmas special that goes forgotten at times. Which is a shame, it's definitely a Christmas special that I have fond memories of watching on CBS as a young child. It's also a bigger shame it doesn't air every year because it should be. There are so many generations that haven't seen it. Thankfully, dvd releases contain this as well as Garfield's other holiday exploits. Pick it up today, you really can't have a holiday without that lazy bastard.
Major thanks to Thomas Bryce for allowing me to come by and share my love of Garfield(and hatred of John). Merry ShitMas, everyone! Let the fun begin!


-Chad
The Horror Movie BBQ 

"Box of Shitmas" Giveaway from "Icon vs Icon"!

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My good friends over at Icon vs Icon and I are teaming up for a Shitmas Giveaway this year! Up for grabs is this box filled of Blurays, DVDs, and CDs!


To Enter to win this "Box of Shitmas" just follow these 3 simple rules . . .
First I ask for you to please Like the "Icon vs Icon" FaceBook Page which can be found right (HERE)  

After doing that please come on back to this Contest Page and Post In The Comments Section telling us a what your favorite toy or game you remember getting for Christmas was . . .

That's All There Is To It!

The Deadline for this Give-A-Way is Midnight December 25th! 
So have your entry in by then and please also include your Email Address in your Comment or a way I can reach you if you Won!
 All entries will be given a Number and a Winner will be picked out using the Quick Random Number Generator App on my phone, so best of luck and thanks playing!

*Bonus Chances To Win *
Re-tweet this tweet that's dated (2/1/14 at 12:31 PM) over at my Twitter Page (https://twitter.com/ShitMovieFest )




- Tom

Rare Exports (Shitmas Guest Writer Chuck Francisco)

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Rare Exports: Christmas Reimagined

Rare Exports is a film which dares to work the Santa Claus mythos over as if it were a ball of incomplete Play-Doh. This isn't completely untrodden ground, as filmmakers have tried to warp our Christmas spirit before. Santa's Slay is a prime example of a basic twist on the classic Jolly one's true nature, but that's mostly a surface level makeover. Don't mistake that brush off as a slam; Santa's Slay is way more fun than any Bill Goldberg vehicle deserves to be and has become a yearly Christmas time tradition at my house. But it doesn't go as deep in reimagining Santa as other films have.



Rene Cardone Sr.'s 1959 Mexican nightmare fueling Santa Claus leaps way over that red and green garland, landing squarely in the holiday scenescape of madness. Mystery Science Theater 3000 fans surely recall this strange odyssey, which teams Santa up with Merlin as red, white, and tubby battles minor demon Pitch for the soul of a little girl. A yearly seasonal classic in Mexico, Santa Claus will unnerve your entire straight-laced family, and ensure that they will never let you choose which holiday film to watch ever again (true story).


But if even that stripper slaying Santa fails to shock your family, or if you've got this peculiar holiday itch to scratch, Rare Exports has got you covered like a red-with-white-trim jimmy hat. Finland's Jalmari Helander has committed to celluloid a strange foreign permutation on the Santa mythos. If we're being completely forthright he's got more right to bring old Saint Nick back to formula, coming from the Scandinavian/Germanic regions from which our modern legends propagated. For our delight, shock, and amazement, the team behind Rare Exports reveres no sacred cows, twisting around existing legends into something more ancient and sinister. In this way, it's very much like a Hellboy tale- which is fitting given the ginormous curl of a certain entity's horns. I'm about to unleash unbridled spoilers, so those with intact Rare Exports maidenheads will want to look away, but before they do I feel it's my sworn dude duty to caution all potential viewers that this film does contain quite a large quotient of old dong.


Now with that qualifier out in the open, let's lay Rare Export's dangling fleshy cards on the table. The narrative follows the lifelong obsession of an industrialist hell bent on finding the actual Santa Claus. To this end he's employed an excavation company to blast the top off of a mountain, which just so happens to be the burial mound of Santa. Or is it a prison chamber? As the young protagonist Rauno discovers, the ancient indigenous people could stand no more of the vicious being "Santa". Trapping him in a frozen lake, they surrounded him in an insulating layer of sawdust while building the mountain around him. Of course the industrialist, blinded with Kringle lust, misreads the sawdust as the byproduct of rampant toy manufacturing. He's not all bluster and blunder, however, as a safety card he's distributed to the workers instructs them not to curse or be naughty on site, as it could rouse the punishment of old St. Nick. They don't obey, throwing caution and curses to the wind, and pay with their lives.

Rauno and his father capture the being unleashed, an emaciated old man who is long of beard and possessed of a wicked gleam in his eye whenever children come too near. Meanwhile all of the other village children have disappeared. This is where things become interesting, as the mythology is thrown into a cocked hat. This strange old man is what we've physically come to associate to Santa (minus the type two diabetes), but it is really only one of his elves. There are nearly two hundred of these white bearded old elves, which would go a long way to explaining how the Santa of legend would be able to service so large a population on one night (a conclusion one of the characters comes to). These Santa stand ins are capturing all of the naughty children to sacrifice them to the jolliest old elf, while at the same time stealing any and all heating elements to defrost the boss.


The real Santa is actually a three story tall ice block with massive curled demon horns protruding. We never actually set eyes on him, but the impression is one of Hellboy with his horns intact or perhaps Krampus. And just like that the skewering of old folklore takes on a wickedly humorous glint. Rare Exports posits that we humans remembered it all wrong; that Krampus is really the one in charge and that our "Santa" is actually his collection of wicked, child obsessed elves. "But Santa loves cookies and coming down my chimney!" you cry in faux outrage. Firstly let me counter that it's statistically unlikely that you have a chimney. Secondly writer/director Jalmari Helander has constructed his film with a layered complexity which takes all of the little Kringle tidbits into the weaving of his tale. The elves are compulsively addicted to ginger snaps, which are apparently the closest these reindeer herders come to our sugar and fat packed American cookies.


The final humorous twist is the eureka moment which give the quizzical title clarity- with the demise of satanic Santa, the formerly murderous elves become docile creatures. And with a year now looming before Christmas comes again, our entrepreneurial reindeer wranglers set about the task of training them in the mannerisms of mall Santas- to be sold and employed world wide.

Isn't it time you took a new look at the legends which we so blindly take for granted? Rare Exports thinks so. Even better still, this title is available to stream instantly on Netflix, and makes a great foreign dubbed double feature with Dead Snow.


Chuck Francisco is a columnist and critic for Mania.com, writing Shock-O-Rama. He is a co-curator of several repertoire film series at the world famous Colonial Theatre in Phoenixville, PA. An avid beer brewer, rock climber, and video gamer, you can hear him drop nerd knowledge on weekly podcast You've Got Geek.


Rosemary’s Baby (A Shitmas Post Guest from Manny of Mass Graves Pictures!)

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While the film may not exactly be Christmas themed, the entire first half of the film takes place between October and December, making that enough of a connection to Shitmas for me! This being the 4th Shitmas I’m writing for, I feel the need to cover something that hasn’t been (not to my knowledge) covered yet, and Rosemary’s Baby ranks high on my list of films I’ll never get sick of. While most have seen this film, there are some who still haven’t (yes, unbelievable as it is, I know a few people who’ve never seen it) so I will do my best not to give away the ending.


Beginning with a haunting piano, Roman Polanski is almost warning you that something is amiss. We track across the skyline of New York City, one of Polanski’s favorite cities. Polanski felt New York had that unnerving feeling of isolation and loneliness, in a city of 8 million; a place where a woman surrounded by people, could easily feel deserted and abandoned.
Rosemary Woodhouse is played brilliantly by Mia Farrow. Opening the film, we follow her while searching for an apartment with her beau, Guy (John Cassavetes). Even in these moments, subtle hints of the evil that lurks are dropped. Very inconspicuously, such things like the previous tenants herb garden, some letters that are left out, and a scene that portrays Guy’s impatience and deft sarcasm in a matter of seconds, a bureau has inexplicably been moved in front of a closet door. They take the apartment, and are then warned by their friend Hutch (Maurice Evans) about the dark and troubled history of the building they are moving into.




From this point forward, we follow the Woodhouses as they make a new home for themselves. Rosemary befriends a young woman who also lives there, the girl is then found dead of an apparent suicide. Coincidentally, the girl was living with an elderly couple, Minnie and Roman Castevet, who live in the apartment next to theirs. Guy eventually becomes close to the Castevets, as his career begins to take off. They decide it’s time to have a baby, and Rosemary becomes pregnant. The Castevets recommend an old doctor friend of theirs, Dr. Saperstein, and Rosemary begins a regimen of herbal drinks made by Minnie from her garden.
Everything is seemingly normal and going well for them, except for Rosemary’s’ growing suspicions. On “Baby Night,” as they dubbed it, Rosemary had a dream she was raped by Guy who takes the form of a demonic creature, as the residents of the building stand naked, watching and chanting. This is the fuel for many of the concerns she has regarding Minnie and Roman, along with months of consistent pain in her belly. Rosemary eventually comes to the conclusion that the Castevets are part of a coven of witches, who killed her friend Hutch, along with others throughout the film.


Mia Farrow pulls you into Rosemarys mind, and drags you alongside in her nightmare scenarios. In one of the final scenes after the baby is born, Rosemary is given some distressing news. Her moment of screaming and protesting still gives me chills every time I watch it. Pregnant women live through an emotional rollercoaster during pregnancy, and can feel as though the world is against them. This paranoia is something that Polanski preyed upon in the viewer at moments like this.
The film thrives on subtlety and deception, with a clever trick that Polanski employed in the acting and dialogue. Much of the time the feeling is that the film is littered with bad actors and silly dialogue, but that is done purposely to distract the viewer from the truth of what is really happening. All of the characters are seemingly creating a web of lies surrounding Rosemary.



The brilliance behind it is for the viewer to be suspicious alongside her, but to still have the feeling that it’s possible Rosemary may be crazy and imagining it all. Upon re-watching the film, you realize that nothing in the story is accidental or coincidence. You hear many one-sided conversations, as we follow the story entirely through Rosemary’s’ experiences.
Anyone who knows me, knows that this is easily one of my favorite films. Polanski’s attention to detail is remarkable, creating this world of conspiracy and lies that Rosemary believes she caught in the middle of. Even a young Charles Grodin (his second film appearance) is unknowingly caught up in it, and turns on Rosemary.


Rosemary’s Baby could easily be one of the greatest films, definitely one of the greatest horror films, ever made. The “slow burn” style is something that is very rarely executed properly, and filmmakers to this day still try to duplicate the dread audiences felt watching this for the first time.
With a 98% on Rotten Tomatoes (the single negative review written by someone who missed many details, and didn’t seem to appreciate the style of storytelling) and the honor of being the only horror film to receive an Oscar for one of its supporting leads (going to Ruth Gordon), it is one that should be in every cinephiles library.
There was a less-than-stellar made-for-TV sequel in 1976, Look What Happened to Rosemarys Baby, which Ruth Gordon returned for, starring Patty Duke as Rosemary, and Stephen McHattie playing Rosemary’s son Adrien, now an adult. Also, not living up to the original film, it was recently remade as a 2-part TV mini-series and I have to say. It was extremely ordinary and dull, coming off more as an extra- long episode of 666 Park Avenue, rather than a standalone film. It wasn’t terrible, but it was not particularly interesting, and certainly lacked all feeling and emotion for the characters. Just proof that Polanski made something very special, and is without a doubt a one-of-a-kind film.
I think I could go on about Rosemarys Baby forever, but without wanting to get into the finale of the film, I think I will cut it off now. Everyone enjoy your Shitmas, and I’ll see you again next year!

- Manny
https://m.facebook.com/massgravepictures

Terror Train (A Shitmas post from Joey Gallimore of Nerd City)

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I think I was near 20 years old at the time. This is about a decade ago. I was taking the Amtrak from Chicago to go see my parents in Southern Illinois. The train was empty enough, and I was thankful for that. I sat alone; had both seats to myself. In the pair of seats in front me sat a young girl - probably 16 - and a guy maybe about my age. I couldn't see their faces at the time, but I could hear them quietly bickering pretty much from the get go. You know, young love.


Night fell and I spent my time completely zoned out, headphones on, staring out into the absolute darkness that sped by. I don't know how it caught my attention, but as I faced the window my focus shifted. Reflected by the glass, I could see the girl who sat in front of me. She was facing the window, staring directly back at my reflection, and she was mouthing the words, "Help me."

I sat there dumbfounded for a few seconds before I fully processed what was really happening. It takes awhile when there's no tense string score to punctuate how you should be reacting. When it hit me that this girl could actually be in real trouble, and that the guy she was with was possibly bad news, I went cold. I hate to use such a trite phrase, but it's true: I felt an actual rush of icy numbness. 


Seemingly by luck, the guy who was sitting with her got up right then and either went to the bathroom or to go get food. Regardless, it was just enough time for this girl to look over the back of her seat at me and start frantically spilling her story: she didn't know who this guy was; he had snuggled up to her as soon as she got on the train; he was being too forward, too touchy, too aggressive; he was drunk; she was afraid. She didn't know what to do.

Now, thinking on my toes has never necessarily been my greatest strong-point. I do best with a few hours, a couple beers, and a notepad. I could have said a million things to this girl, the easiest and most logical being, "Get a conductor", or even just, "Move seats right now, sit next to me!" But under pressure for an immediate response -- and yes, this whole story has been 100% true, including the next few lines -- the first thing that came to my lips was: "Set him on fire?" 

I'll let the insanity of that bizarre suggestion set in for a second, but I won't wait too long because this story somehow gets crazier, and quick. As if I'd just handed her a Christmas gift she had been begging 364 days for, this girl's face lit up. Her eyes got big and her smile broadened. "Great idea!", she enthused, without a single drop of sarcasm. Again, this all really did happen.

She plopped back down in her seat just as the mysterious aggressor returned, resuming his place saddled up next to her. I sat there, motionless, slack-jawed. Just as quickly as it had started, it was over - seemingly back to normal. And there was no one around who witnessed it, so I couldn't actually be sure it really even happened. A part of me thought, "Is this it? Is this how these types of situations are handled in real life? Is everything okay now?" I must have accepted whatever conclusion came from my internal dialogue as an acceptable resolution, because I soon recommenced submerging myself in the vast darkness on the other side of my window.

But that's when I heard it. The distinct "chk, chk" of a sparkwheel striking flint, from a lighter low on fluid. "Chk, chk", again, only this time followed by a "Yeow! What the hell are you doing, you crazy bitch?" The creeper shot up from the seat in front of me, rubbing the side of his head. He continued mumbling to himself as he made his way down the row of seats, far away from the one he'd just been sitting in. I couldn't believe the girl had taken my advice, but moreover I couldn't believe it worked. But then again, if someone sitting next to me tried to set my head alight, I'd hightail it out of there, too.

Like a gopher, the girl popped back up, still grinning: "That was so awesome!" I asked if she was okay, she said she was, that it was just some unwarranted attention from a tipsy stranger. Before I could ask anything else, she spoke again, but in a weirder, more hushed voice: "You know, I think I've seen you before..." That icy, uneasy feeling I spoke of earlier? It returned in waves. I had no idea who this girl was, I had never seen her in my life. I smiled and shrugged. I asked where she lived. 

"Oh, I live at Brookside. Have you heard of it?" I had heard of it. As I was aware of it, it was a boarding school where troubled kids were sent. And it was just a couple blocks away from my parents house. On the same street. I suddenly realized that there was a real chance this girl had seen me before, and that creeped me out even more. She was still smiling, her eyes wide and fixed. She asked how long I was going to be in town for. "Maybe we could hang out..." Her voice was soft and terrifying. I still hadn't said anything in a few minutes, mostly because I was still reeling from how this whole thing had unfolded. I felt broadsided. I was sucked into a situation and thought I had helped, but now I just felt like the second fly on a spider's web.

"I...I...", was all I could manage. I probably sounded like a pirate. 

"What's your phone number?", she pressed. Still smiling, eyes black and burning.

I blurted out ten random numbers. It was the first smart move I had made this whole time. She wrote them down on a piece of paper, which she tore a chunk from and handed to me. Her number was written down. 

"Call me."

I looked behind me down the long row of seats for the unaccounted shady dude from earlier. I wondered if he had unwittingly been made the pawn in a game of loony lust, and if I had been the intended target the whole time. I felt weird, tense, confused. I turned back to the blackness outside and I looked out as far as I possibly could.

--------

Terror Train is actually a lot like this anecdote, and not just because of its locomotive setting. It's long - much longer than it needs to be - but the twist at the end is just satisfying enough to make it all worth it. Would you want to hear it again? No, of course not. But the first ride's pretty fun.

The first time I saw Terror Train, I was honestly pretty blown away. Even if it was just to cash in on the burgeoning slasher craze at the time, it has a clever enough concept and a reveal at the end that'll leave you braided as a pretzel. I don't want to give too much away, especially if you've never seen it, because the less you know the better.

A graduating class of med students board a train on New Year's Eve to celebrate their success, and wouldn't you know it? It's a costume party! As a mysterious killer makes their way through the iron horse, they take the costume of each successive victim, making the killer harder to track. It's a fun flick - and the only film magician David Copperfield has had a starring role in - but repeated viewings will definitely make the holes in the plot more apparent. Still, I consider it to be a top contender to all of its early-80's slasher ilk, and I'm surprised it doesn't get more recognition - because it should.

Well, that's all my prattling for now. Go watch Terror Train

This has been Dr. Jose, saying: Happy Holidays, Hail Satan, and Cowabunga.

Nerd City

Camera Viscera

Gremlins Read-Along Records (A Shitmas Post from Kristy Locklin of "Cradle to the Grave"!)

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A few years ago, my dad gave me this box, which he purchased at a church bazaar.




Let me be clear … I am NOT a fan of Donnie & Marie – those toothy dipshits reached their peak cheesiness the year before I was born – but the contents of this container make me squeal like a kid on Christmas morning …



Behold! A complete set of Gremlin Adventures read-along records based on the motion picture “Gremlins”!









If you grew up in the early-80s, you owned at least one 33 1/3 RPM album that came with an illustrated book. You could see/hear/read fairy tales, nursery rhymes and Bible stories, but the most popular records were based on TV shows and movies.


In 1984 – the year “Gremlins” hit theaters – Hardee’s restaurants sold these discs for a buck when you purchased a sandwich, fries and a drink.


Check out the commercial:





Although I was a diehard McDonald’s junkie (my first word was “arches.”), I insisted that my mother take me to the inferior fast food joint until I possessed each piece of vinyl awesomeness.


It was a good investment on her part since Gremlin Adventures kept me occupied for at least an hour every day well into 1986. Another plus? They taught me how to read! These books aren’t just one-sentence-per-page plot summaries – they feature big words and (GASP!) full paragraphs!





And the PG-content isn’t watered down for a G-rated audience; the Gremlins still drink, smoke and sexually harass Phoebe Cates!





Flipping through the pages makes me giddy with nostalgia.





For years, the only thing that dulled my Mogwai-induced happiness was the fact that I don’t own a record player. The albums sat in their Osmond prison until last week, when my mom casually mentioned that she’d found an old turntable in the attic. Without hesitation, I hauled Gizmo and the gang over to her house.


The second that needle hits the record, I close my eyes and am transported back in time.





It’s 19984 and I’m sitting on the orange shag carpet in my parents’ faux wood-paneled living room. I take an imaginary sip of Tab as I listen to the narrator’s strong, yet soothing, baritone.


The character voices are a bit different from the movie, but, what do you expect from a 99-cent burger promotion? The chimes that alert you to turn the page sound magical. My eyes well up. My daughter, on the other hand, is bored to tears.


She turns on the TV to watch “Frozen” for the 500th goddamn time.


Whatever. I listen to all five Gremlin Adventures then look at her and smile.


“Perhaps, some day, you will be ready,” I say in my best Old Chinese Man voice. “Until then, Mogwai waits.”



- Kristy Locklin

Reel Facts & Opinions: STAR WARS in December (A Shitmas post from Alan Brocavich of "Reel Speak"!)

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With the STAR WARS franchise making headlines again and the holiday season bearing down on us, now seems like a fine time to explore an issue fans of that far away galaxy are concerned with; the arrival of the next STAR WARS film in December 2015.

STAR WARS EPISODE VII (subtitled THE FORCE AWAKENS) was originally scheduled for a May 2015 release. This date was true to the tradition of a STAR WARS film always being released in May; a tradition begun in 1977 with the first film and continued with the next five. One thing led to another, and THE FORCE AWAKENS was eventually shifted to December 2015. Why is this a big deal? For many fans, these movies belong in May. The nature of STAR WARS, with its science-fiction/fantasy roots, spectacular visuals, and action scenes screams Summer blockbuster; and May tends to serve as the kickoff to the fun and furious Summer movie season. To many fans, taking STAR WARS out of May is a deadly sin, and it simply does not belong in December.

Or does it?

As many of you loyal readers know, this Blogger has been a first-generation STAR WARS fan his whole life, having been introduced to that galaxy in the spring of 1977. And in that year, December and Christmastime always meant receiving new STAR WARS toys. 


 The franchise was one of the first, if not the first to market itself on the toy market. With a universe filled with likeable heroes and spaceships, it practically sold itself and it changed the toy industry forever. From action figures to playsets to books to read-along records, Christmas meant STAR WARS every year. Even during years when there was no new film in theatres, there was still that hope of finding a new planet, hero, or spaceship under the tree. Christmas means toys to wee-lads, and no other toy in the galaxy came close to the fascination that a STAR WARS toy would bring. For millions of Padawans out there, Christmastime meant STAR WARStime, and to this day this Blogger’s family still manages to sneak in at least one STAR WARS-themed gift every year. 



But the firm foothold the franchise has in the holiday season isn’t limited to just marketing and selling toys. Cable stations began running marathons of the first three movies over 20 years ago during the holidays, and would eventually add the second trilogy to their programming. STAR WARS-themed decorations and greeting cards are easy to find, and John Williams’ magnificent music has a whimsical, holiday feel to it. Even the very early days of the franchise knew it had a holiday connection; the well-intentioned, yet ill-fated STAR WARS HOLIDAY SPECIAL aired on TV in 1978.

So in a way, STAR WARS is truly coming home when THE FORCE AWAKENS lands in December. For the first generation of fans, there will certainly be an asteroid-field’s worth of childhood memories to fly through; memories of new toys on a Christmas morning which would inspire their imaginations to revisit their favorite scenes or to create new ones. The term, “let’s play Star Wars” became a battle-cry for youth, and the young are what STAR WARS is all about. After all, on the original production notes for STAR WARS (1977), series creator George Lucas quoted from the preface Sir Arthur Conan Doyle wrote for his non-Holmes novel, THE LOST WORLD:

I have wrought my simple plan
If I give one hour of joy
To the boy who’s half a man
Or the man who’s half a boy.

*

STAR WARS EPISODE VII: THE FORCE AWAKENS arrives to our planet on December 15, 2015. It is directed by JJ Abrams and stars Harrison Ford, Mark Hamill, Carrie Fisher, Adam Driver, Daisy Ridley, Oscar Isaac, John Boyega, Peter Mayhew, Anthony Daniels,  Domnhall Gleeson, Andy Serkis, Max von Sydow, Kenny Baker, and Lupita Nyong’o. 

- Alan Brocavich

Christmas at Pee-Wee’s Playhouse (A Shimas Post from Chris Roberts of the Halloween Love blog!)

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Christmas at Pee-Wee’s Playhouse
OR
How I Learned to Stop Worrying and Love the Fruitcake
By Chris Roberts


It’s Christmas!  We all know what that means.  Peace on Earth, good will towards men & terrible holiday specials.  Some are actually really good.  Some are just awful.  I was going to do The Star Wars Holiday Special.  But my soul burns like holy water on possessed flesh whenever I get near my bootleg DVD.  Maybe next year, kiddos.  Some specials are so off the wall that they can’t be put into words.  But let’s try, shall we?




If you grew up in the mid 80s through the 90s like myself, I don’t have to tell you how amazing of a time this was for television.  Saturday morning cartoons were at their peak and anyone, it seemed, could have one.


ANYONE

Nothing, however, could prepare the world for Pee-Wee’s Playhouse.  Pee-Wee needs no introduction.  He was everywhere.  And in 1988, everyone wanted to get in on Christmas at Pee-Wee’s Playhouse.

We begin with a group of Marines singing an introduction to the special, where we’re introduced to the Playhouse gang, as well as Pee-Wee’s special guest stars.  We kick off the actual special with Pee-Wee dictating his Christmas wish list to Conky 2000.  Literally.  A mile long list is shoved into a giant envelope to eventually be given to Reba the mail lady.  

Now begins the running joke on this special:  Pee-Wee gets fruitcake from all of his friends.  Miss Yvonne is the first to give him his fruitcake, as well as a Christmas kiss.  She is, after all, wearing mistletoe in her wig, er, I mean hair.  Soon, all the anthropomorphic furniture and creatures want in on the action.  And she is happy to oblige.  Starting with Floory.  The floor.  Somebody has issues.

“Coming, Floory darling!”  --actual dialogue

While Miss Yvonne disappears to make out with make believe, Pee-Wee gets a call from Whoopi Goldberg on the video phone.  She’s begging to be on the Christmas special.  It seems the guests are booked solid for another two years.  I want to write a joke here about Whoopi having to make a terrible movie to kill time, but Jumping Jack Flash was 1986 and Burglar was 1987.  So I’ve got nothing.  

After that awkward conversation ends, we go connect the dots on Magic Screen.  On a personal note, Magic Screen was my favorite part of the show as a kid.  They make a sleigh that’s driven by Magic Johnson.  He and the Magic Screen are cousins, you see.  Don’t think about that too long or your brain will shut down.  They’re chased by a polar bear until Pee-Wee bails out, leaving Magic Johnson to crash and be eaten by said polar bear.


Magic had the same look on his face when he found out The Magic Hour was being cancelled.

Suddenly, Pee-Wee realizes he hasn’t decorated the playhouse for Christmas.  So he wishes for Jambi to decorate all at once.  And it was so.  Thus sayeth the Lord.

Reba the mail lady is here to pick up the giant envelope.  And also to deliver Grace Jones in a giant wooden crate.  Remember Grace Jones in Vamp?  Neither do I.  All joking aside, I had to Google “Grace Jones” to see if she was a drag queen or not.  Sorry, Grace.  You’re all woman baby.  She wasn’t meant to go to the PLAYhouse, but the White House.  Looks like Reagan won’t be getting the B-List celebrity he asked for under his tree.  Another year of Nancy will have to do.  Just say “NO”, kids.  I digress.  Grace sings The Little Drummer Boy while Pee-Wee does the Tequila dance.  I’m almost certain that baby Jesus himself would be pleased.  

You mean you aren’t the President?

Soon after, we find Frankie Avalon and Annette Funicello are making Christmas cards with a toothbrush and a potato, against their will.  Merry Christmas Mouseketeers.  Cher comes by to tell us today’s secret word (it’s “YEAR”) as Pee-Wee gushes about Cher’s presence in the playhouse.  The King of Cartoons stops by and gives Pee-Wee two fruitcakes before tuning in Hollywood Squares, where Joan Rivers (face 2 of 5) wishes us a Merry Christmas.  

Now, it’s snowing at the playhouse.  I know this because Pee-Wee has screamed it at least 50 times.  After a yellow snow joke, Pee-Wee is met by Cowboy Curtis.  Look, gang!  It’s Laurence Fishburn.  He wasn’t always Morpheus, kiddos.  We all have to start somewhere.  We are then treated to Winter Wonderland as sung by the Del Rubio Triplets.  You may not know them by name, but you know who they are.  Three identical old women playing guitar in short shorts.  


The middle one looks like Olympia Dukakis in drag

The ladies finish their song and Pee-Wee teaches Little Richard to ice skate.  Sort of.  Little Richard spends the whole bit with a pillow strapped to his butt.  I will let that joke write itself.

Once we’re back in the playhouse, the gang is warming up with hot cocoa while k.d. lang sings the most spastic rendition of Jingle Bell Rock I’ve ever personally witnessed.  Now, I’m not a k.d. lang fan, so I don’t know what kind of performer she is.  But I can say with absolute certainty that this isn’t what you’d see at Lilith Fair (hey kids, remember Lilith Fair?)

No, k.d.  It is not OK.

Now that the musical seizure has ended, Pee-Wee is hanging Christmas stockings.  Naturally, Pee-Wee has two.  And they’re bigger than his fireplace.  Clocky then reminds us it’s time for a Penny cartoon.  I loved Penny as a kid, but I don’t remember her being so hard to understand.  I almost put my VCR in slow motion to see if I understood her better.  

While all the fun is going on around them, Frankie & Annette still aren’t done with the Christmas cards.  Massa Herman ain’t too happy ‘bout that boss.  They mention they’re hungry, so Pee-Wee gives the bread and water.  Way to roll out that red carpet…

Countess the Cow brings Pee-Wee more fruitcake, as well as her friend Zsa Zsa Gabor.  Who gives a f--k what she thinks?  Dick Cavett didn’t and neither did Freddy Krueger.  That goes double for Pee-Wee Herman.  The phone rings and he takes off.  

My nerdiness requires at least one mention of Elm Street in this article

Who is on the phone but Dinah Shore AND Oprah.  Yes, that Oprah.  Nothing says hot 80s three way like Dinah Shore and Oprah Winfrey.  Dinah sings the 12 Days of Christmas, but Pee-Wee doesn’t have time for that crap.  He puts a dummy inside the video phone booth and jumps right into the next segment.  

Ricardo comes by to wish Pee-Wee “Feliz Navidad”.  Pee-Wee is having a hard time saying Merry Christmas in Spanish.  So who should help Pee-Wee with “Feliz Navidad”.  One word:  Charo.

When Ricardo’s Mexi-Mullet fails, send in the C-List Latina.

Once the song is finished, Charo gives Pee-Wee another fruitcake and dances the coochie-coochie before Miss Renee comes to the playhouse to teach us all about Chanukah.  The eight crazy nights are dolled out to Pee-Wee all at once with eight fruit cakes.  Mozel Tov Pee-Wee.  Miss Renee shows Pee-Wee a dreidel, who immediately spins it into the mouse hole where the claymation dinosaurs live.  They’re lighting the menorah and eating candy.  I’m assuming they converted.  I can’t prove it.  Eat me, I had to watch this, you didn’t.  

The wait is finally over and the Christmas party has started.  Pee-Wee is making everyone, including Miss Renee, whom we just established is Jewish, sing Christmas carols.  Randy decides to be a jerk as per usual and unplug the lights from the tree.  So Pee-Wee decides to tell Randy about the true meaning of Christmas with a Cliff’s Notes version of the birth of Jesus.  Randy then gives Pee-Wee a fruitcake and goes about his merry way.  Then, Pee-Wee reveals the new wing he has had added to the playhouse by shirtless Mexican day laborers made entirely of fruitcake.  Feliz blahblahblah Pee-Wee Herman.  

Finally, Santa arrives to give us all what we want, the end of this special.  Santa tells Pee-Wee he asked for so many things that he isn’t going to be able to give gifts to any of the other children of the world.  Pee-Wee thinks about it and sacrifices all of his gifts to help others.  In turn, Pee-Wee gets to help Santa deliver all the gifts on Christmas Eve, as the credits roll.
As a kid, I loved Pee-Wee.  I had the Playhouse playset, Pee-Wee Colorforms (Google it, they happened) and even a Pee-Wee ventriloquist dummy.  Watching this again brought me back to a special place in my childhood where Santa was still real and dreams came true.  I am now the parent of a three year old who is just discovering the magic of Christmas, as well as Christmas specials.  One day, he’ll get to look back and see how sappy and terrible they truly are.  But until then, I’m gonna let him dream.  Merry Christmas to all and to all a good night.

 Me, Christmas 1989

- Chris Roberts

Top 25 Reasons Why I Love 1974's 'Black Christmas' (A Shitmas post from Gabriel Baron of RESISTANCE Pro)

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Most horror cognoscenti consider John Carpenter's "Halloween" to be the flame that ignited the American slasher craze, but I disagree. Four years prior in 1974, Bob Clark unleashed what is not only the true original American slasher (though it was shot and financed in Canada), but one of the best horror films ever made - "Black Christmas". When I watched it for the first time (roughly 10 years ago), it immediately struck my as the clear blueprint for the beloved slasher genre. While the Italian Giallo films of the 60's and 70's were certainly the cause, "Black Christmas" is "patient zero". It's not only a perfect horror film, it's a perfect film in every way - regardless of genre. Jaded audiences of today may laugh at the fashions and bemoan the lack of on-screen violence, but that's narrow minded. Like a Beethoven symphony, it strikes all of the perfect notes, works all of our emotions, and gets the most out of everything it offers. While Clark went on to do other, more famous films (like 1982's "A Christmas Story", ironically), this is his masterpiece. To back up my theory, I've decided to list my "Top 25 Reasons Why I Love 'Black Christmas' (1974)". "Top" 25 because there are more than that, but these are the "essential" reasons why I love it so much.

And Christmas is December 25th. See what I did there?

1) It actually feels like ChristmasThe house, the decorations, the clothes everyone is wearing, their respective moods. The Holidays have never felt more genuine in any film I've ever seen than here.

2) The obscene phone calls. So fucking creepy. Guttural. Infantile. Puerile. Unforgettably upsetting and genuinely frightening.

3) Margot Kidder as "Barb". From the first moment she bounces down the stairs of the house (obviously sans bra) to her eventual demise, she's the most genuine character in the film. Funny, sexy, sad, and charming - she's the best friend we all wish we had. She steals every scene she's in.

4) Clare's death. Rarely has a first murder in a horror film set the tone so effectively. Brutal and shocking without spilling one drop of blood.

5) Mrs. Mac drinking her hidden bottles of Straight Sherry. "'B' is for booze..."

6) Jess's (Olivia Hussey) sweater. The design resembles two hands put up in desperate protection from an attack, doesn't it?

7) The attic window where Clare's body sits in a rocking chair. Still? The police never find it (to our knowledge, at least).

8) The scene where Mrs. Mac shows Clare's father his missing daughter's bedroom. Great (and needed) comic relief.

9) "Fellatio 2-0-8-8-0. Fellatio - it's a new exchange. F-E." Hilarious.

10) 
The look on Mrs. Mac's face when she sees Clare's body in the attic. True, genuine terror.

11) 
Chris's (Art Hindle) fur coat. Worn like a true Caucasian Canadian playa'.

12) 
Peter's (Keir Dullea) progressive mental deterioration. Makes him the perfect "red herring" right 'til the very end.

13) 
John fucking Saxon. Every film is better with him in it.
14) Barb's asthma attack jump scare. I still jump every time it happens.
15) The timing of the carolers coming to the door. It distracts from the true horror going on upstairs.

16) 
Death by crystal unicorn. Dario Argento himself couldn't have directed a more bravura murder...in his prime!

17) 
"It's just like having a wart removed!" 18) That Clark acutally shows the calls being traced at the telephone company rather than making the audience take it on faith.Makes it more realistic and, therefore, more frightening.

19) 
...and it's revealed that the calls are coming from inside the house! A full 5 years before "When a Stranger Calls"!

20) 
Jennings. The cop parked in his squad outside of the sorority house is founded with his throat slashed when cops arrive on the scene. (A bit of a plot hole, but easily forgivable)

21) 
The look of genuine terror on Jess's face when Officer Nash tells her where the calls are coming from.22) The shot where Jess sees the killer looking at her through a crack in the door. And the chase that follows, of course.

23) 
The fact that every single character is fleshed-out, human, and genuinely likeable. A rarity in not just horror films, but all movies and entertainment.

24) 
The phone that just keeps ringing. And ringing. And ringing. And ringing. And ringing. And ringing... It may well still be ringing ambiguously.

25) 
The fact that the killer is never fully unveiled and his motive never explained. Truly horrifying.

     If you have yet to see "Black Christmas" and you consider yourself a true genre aficionado, do it now. It's one of the most competently made, well cast, influential films the genre has to offer. A true horror classic, it deserves to be made a permanent part of your collection and held in the highest esteem. There would most certainly be no "Halloween" without it.

The remake is pretty damn good, too (though the polar opposite of this film)!

Gabriel Baron
Co-Owner/Promoter
RESISTANCE Pro, LLC.

www.RESISTANCEpro.com

Hogfather (a Shitmas post from Bucky Schuyler of Horror Sci-fi and More!)

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Before I get into the meat of the film here I want to talk about Discworld, the world that this film is based in. The world is a a flat disc that's balanced on the backs of four elephants and those elephants are balanced on the shell of a giant turtle though some what similar to our world theirs just has that extra twist to it. Now the Discworld series is an on-going novel series that has seen upwards to 41 novels. The characters in the stories range from witches to wizards and death to gods. But my pick is the first novel to ever be put to film and its the 20th novel in the series. Written in 1996 by Terry Pratchett and optioned by The Mob, a production company whose gone onto make two other Discworld films in 2006. The film tells the tale of the book of what Christmas....I mean Hogwatch is like in Discworld.
 
 
 
 
Hogwatch is a gift giving holiday similar to what Christmas is to us. Now it becomes apparent that to a group of spectral beings known as the Auditors that a fat, tusk-grinned man dressed in red known as the Hogfather is watching over the children of Discworld and this causes them to become disturbed by the notion that this man is doing this and so forth put out a hit on the jolly fat man. Yes even in this world they put out a contract on their version of Santa! They contact the Assassin's Guild who give the job for taking out the Hogfather to their most strangest assassin simply known as Mr. Teatime. Now Teatime is a ruthless character to say the least, though he appears to be childish in mannerisms. He makes up for it in his disturbing way of taking care of business as a cold and icy killer. His attack on the Tooth Fairies castle and theft of all her teeth to which he believes that with old, and I mean OLD magic that gives a possessor of cast-off parts of the body hair, nail parings, or even teeth control over what someone believes.
 
 
 
Now while all of this is on-going another being that being Death believes that if belief in the Hogfather is lost then the sun will never rise again. But Death is a little too late as Teatime manages to turn the Hogfather into a real hog leaving the Discworld to maybe never see the sun again. It is in this moment that Death decides to take up the role of the Hogfather till his granddaughter Susan could find the real Hogfather and restore him to his original self and in the same breath some how manage to take down Teatime. During Death's time portraying the Hogfather he starts to take the wishes of the children a little to seriously and starts to cause a few problems for himself along the way. Susan's journey takes her to the Castle of Bones where she meets Bilious, a drunkard whose always talking about his hangovers. It is here that she manages to save in him in time just as the Castle of Bones itself starts to crumble and fall down around them thanks in part to the lack of belief. In attempt to cure him she takes him to the Unseen University where a bunch of clumsy wizards are trying to figure out why new gods and beings are being born as well as trying to figure out what's going on around them.
 
 
It's there that the Universities greatest mind Hex, explains that reason behind all these new entities is cause of "spare belief" that is there because of the lack of belief in the Hogfather. Susan and Bilious eventually make their way from the University to the land of the Tooth Fairy only to discover that Teatime has indeed succeeded in killing the Hogfather by using the teeth of children and having them stop believing in him. Teatime tries to kill Susan but when the sword just simply goes through her and causes no damage she explains that there is no death where they were. She slaps the taste out of his mouth and then delivers a sucker punch that sends Teatime falling off the edge of the a tower but he manages to grasp a hold of Susan as he is falling but manages to lose his grip and falls to his apparent death. Susan then clears the teeth away and breaks the magical spell that was placed upon them to bring back the belief of the Hogfather who transforms back to his normal self as the sun rises and he basks in the sunlight.
 
 
As the film starts to wind down Teatime is brought back to life by the wizards and he goes after Susan to kill her. But stops because of a bigger game that being Death. Branding his sword and noticing that it will work where he is at the moment. He tries to kill Death but is stopped by Susan who throws a poker through Death and into the chest of Teatime. Teatime suddenly realizes as he is told that things in Discworld are only killed by weapons by being a monster.
 
 
Now for a 3 hour long made for television film its actually decent. Though the film is slow in the first half of this two part film, the film picks up the pace in the second half and displays some excellent imagery. A scene where Susan and Bilious walk into a child's painting is stunning to say the least as its like watching a painting come to life. This films cast is comprised of very well known British actors ranging from David Jason, Marc Warren, Michelle Dockery, Ian Richardson and Peter Guinness. David Warner of various films like Tron and Time Bandits pops up in the beginning of the film. Even the author of the novel Terry Pratchett makes a cameo appearance in the film. So in closing I will have to say this film is a gem that's clearly lost in time cause its not really spoken of or rarely seen on television today. So do yourself a favor and just sit down and don't let that 3 hour run time scare you cause its a rather enjoyable film and more importantly I want to thank Thomas for letting me do this again this year. It was a pleasure and hope you all have a Merry Hogwatch!!!!!!


- Bucky

Tales from the Darkside: The Yattering & Jack (A Shitmas post from Jason Christopher of AULD FANG SYNE!)

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Jason Christopher
Site: AuldFangSyne.com
Twitter: @AuldFangSyne

Tales from the Darkside:
The Yattering & Jack


Yo, real talk? Most of us don’t actually care about Jesus during the Christmas season. I know I never did as a kid, and becoming an atheist as an adult ensured I didn’t really pay much mind to the ol’ carpenter. I’d venture to wage most Americans (including you, dear reader) treat Jesus as a secondary thought during the holiday season. There’s nothing wrong with that. I’m not chastising you for being “heathens.” Christmas hasn’t been about the birth of a Savior in many moons, and that’s perfectly cool. Yet, every season we are inundated with t.v. specials and movies that hector the audience for giving up the Real Reason for the Season. Ironic that multimillionaires, who never have to worry about choosing between buying groceries for the week or putting gas in the car, will give the American public the middle finger for not being warm and fuzzy enough for the holidays.


I think that’s why I like The Yattering & Jack so much – it dispenses with piety, and acknowledges that most of us would gladly bypass all the holly jolly nonsense for something that makes our lives better. Jack Polo (Anthony Carbone) is a friendly, cheerful salesman; the kind I imagine Glengarry Glen Ross’ Jack Lemmon would have been with a modicum of self-esteem. It’s Christmas time, and Jack Polo’s house is filled from floor to ceiling with all manner of holiday chotchkies. Everyone in the neighborhood seems to love Jack, and why wouldn’t they? He’s a gregarious guy; when carolers stop by, Jack and his daughter, Amanda (Danielle Brisbois), give the group money instead of dumping hot oil on them, like I would do.

However, Jack’s happy attitude can feel forced. When mirrors shatter and fireplace utensils go flying across the living room, Jack chalks it up to simple accidents, and not the dwarf demon that pops in and out of existence to antagonize the old man. This is the Yattering, and he’s played by dwarf actor Phil Fondacaro, who’s been in everything from Willow to Evil Bong. Here, his torso is painted red; he has teeny little horns glued to his forehead; he wears a black leather studded collar. The Yattering isn’t scary, appearing to be a stage extra from W.A.S.P.’s last tour that never bothered to take his make-up off. 

If he isn’t metal enough for you, then Beelzebub (Thomas Newman) will rock your cock sock off. If Judas Priest’s Rob Halford decided to dress up his grandpa in one of his “Hellbent for Leather” outfits, it would look like this interpretation of the devil. Clive Barker wrote the screenplay, based n his own short story found in the first volume of his Books of Blood. I’m assuming the metal S&M gear were his idea, though they are nowhere near the leather horror of Pinhead and gang. With a bearded face resembling late-life Orson Welles, Newman is an absolute hoot as Old Scratch. With his constant belittling of the Yattering for not breaking Jack’s spirit fast enough, this Beelzebub is less the Master of the Underworld, and more of a satanic Oliver Hardy. These two bicker incessantly, to the point that I began to wonder if they were roommates in Hell. Maybe Beelzebub is annoyed because the Yattering took the last slice of Muenster cheese, and the little shit refuses to go by another pack? Perhaps Beelzebub fucked some greasy escort on the Yattering’s bed, and the stink from their sex has permeated the mattress? I’d be livid, too, especially since I assume Beelzebub throws his notable girth around to intimidate the smaller being. You know what? Fuck Beelzebub; the Yattering needs out of this abusive relationship.

The whole reason the devil wants Jack’s soul has to do with an ancestor that made a pact with the Beelzebub and backed out of it, quickly turning to God for help. Since he didn’t get that soul, Beelzebub is determined to get Jack’s. It is curious that a malevolent lord of the damned would employ a pint-sized demon to perform mundane tricks instead of sending in one of those terrifying creatures from Demon Knight. There has to be an MVP squad of soul catchers; Ned Flanders as the devil was more unsettling than this Yattering. At his best, this lil’ demon can only make a delicious looking holiday turkey fly around and sit on top of the Christmas tree. Low stakes tricks ain’t gonna get a man to renounce God. You know what? Fuck the Yattering; Beelzebub is trying to run his shit right, and this slacker ain’t doing the business any good.


Eventually, the Yattering touches Jack in an attempt to frighten him, a big no-no in the hellbound OSHA handbook. Once this is done, the Yattering becomes the slave of whatever human it touched. This delights Jack, ecstatic that he now has his own whipping boy. The Yattering & Jack is a trifle of an episode, but the revelation of Jack being a greedy shit behind the charming façade makes the tale work. He didn’t give a fuck about Christmas at all; he was merely putting on a show to keep the Yattering at bay. So, now he has a dwarf he can boss around. It’s actually fairly depressing, but the holidays have always depressed me.
Merry Christmas, I guess?

"Drink the glass!" - A epic Die Hard drinking game! (A Shitmas Post from Stacy Still of StayStillReviews)

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There are so many classic holiday themed films it's almost impossible to pick the very best. There are some great truly terrifying Christmas slashers (Black Christmas, Silent Night Deadly Night), The whacky over the top comedies (Christmas Vacation, Trading Places) and the feel good films that have a  lingering sparkle of violence (Gremlins, Home Alone). My choice this year for my third annual entry of Shitmas came straight from the heart. A film that's been very important to me even before I was even born...


Let me quickly explain. Before Die Hard was released on video, somehow my the grace of god my mother who was pregnant with me got some early screener from a local private video store she was a member of and never returned the copy. For every day during her pregnancy she watched Die Hard and could never really explain why besides that it was her comfort movie. (...) I gotta laugh. My grandmother told me when my mother was pregnant with my older sister she read to her classic literature every day, while for me my mother watched Bruce Willis kick ass and take names. Maybe this explains why my sister went to law school and I went to play with clay and paint at trade school. Or why I'm fucking awesome. 

= Nuff said.



Anywho, it's become a tradition of mine always around the holidays to pop in one of my all time favorites, a film that truly in my eyes after Point Break and T2 is the greatest action movie of all time. A nice tale of an every day guy who sadly is at the wrong place at the wrong time. Featuring the best villian of all time, and some of the best one-liners it's almost a crime against the human race not to get smashed and watch this movie. So this past Saturday to start gearing up for the holidays I went over my sister and her husband's house with my blu-ray copy of Die Hard...and a couple of bottles of gin.

= Hope I didn't over do it this year.

Here were our rules...

Drinking with gin and tonics

Take a sip when...
A gun is fired.
Somebody says "fuck"
Something blows up.

SEEING that we were super smart and decided to play with gin, we decided these three rules were just enough. I have played it with beer before and there are more rules, and much more zany antics happen. Instead since we're all super old me and my sister had 5 gin and tonics between the two of us and for some strange reason couldn't seem to catch a buzz. Her husband on the other hand...

Fail.

We did have a big of an argument earlier when my sister said the character of Theo was played by Levar Burton. In fact we were border line screaming at each other and she ended up betting me 5$ that I was wrong.

= WHO'S LAUGHING NOW!

The rules to the Die Hard drinking game with beer are much more epic and much more exciting.

Drinking with beer/liquor

Take a drink when...
A gun is fired
Somebody says "fuck"
Something blows up
Every time part of the Nakatomi Plaza gets destroyed. 
Every time the word "detonators" is said. 
Someone is killed.
A radio is used.

Take a shot when...
A Christmas song plays
Another language is spoken
John talks to himself

Waterfall when...
Hans drops off the Nakatomi Plaza.
Hans starts to say in his American accent "Ohhh Godddd helppp meeeeeee..."
Glass gets broken or shot.

All in all if you are anything like me, booze is a must around this time of year. So pop in the original 1988 classic, get a machine gun, and chug a few glasses of brew to the greatest action movie ever!

Happy holidays from StayStillReviews!

A "Better Off Dead" Pig Burger Placemat (Some Shitmass Art Awesmoness from Chris Tanski!)

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Any fan of the 80s Cult Classic "Better Off Dead" staring John Cusack will surely get a kick of the image below!
 

For this year's Shitmas, Chris Tanski of UnderScoopFire.com and The (title pending) Movie Podcast with Tank and Fogs has created a Pig Burger Placemat featuring some of the iconic scenes from the movie including the K-12, Johnny the Paperboy from Hell, and Aardvark Coat Lane's father receives for Christmas!


Why 2012's "SILENT NIGHT" Fails to Understand the Original (A Shitmas Post from Jesse Bartel)

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In 1984, Charles Sellier directed a low budget horror film called SILENT NIGHT, DEADLY NIGHT. To briefly sum it up, it’s about a boy who goes on a killing spree dressed like Santa after years of repression. It’s one of my favorite horror films and not because it’s great on a technical level, but it has heart. There is more to pick apart in that 1974 film than anything that hits theaters these days for the genre. After several sequels, we thought we would never see another film in the series ever again. But the remake bug bit SILENT NIGHT, DEADLY NIGHT in 2012 and the titled was changed (shortened) to SILENT NIGHT. Steven C. Miller directed this mess starring Malcolm McDowell, Jamie King, Donal Logue, and Ellen Wong. It’s a horrendously boring movie that completely misses the point of the original film that came out all those years ago. Sure, it wanted to take a different approach to the material and yes, there are people who like it, but it doesn’t work. It’s an orgy of unoriginal ideas and clichés.
I wrote about SILENT NIGHT , DEADLY NIGHT last year for Shitmas and discussed its depiction of sex and murder being one in the same. It is a story of repression, the dangers of the church, and what happens to people who witness traumatic events, but never explore it. So, I felt I should follow it up with what I felt about the remake. Maybe next year I’ll rank all of the SILENT NIGHT, DEADLY NIGHT movies? Hmmmm.



Now, on its surface, SILENT NIGHT is objectively bad. Yes, please give us another horror film that follows a cop around as they try to solve murders the audience already knows who the culprit is. Why are horror films fixated on police? I guess violent crimes attract the law, but I’m tired of watching a bunch of numbskulls try to figure out who’s going to die next.
Malcolm McDowell is thrown into an embarrassing role with dramatic lines that feel like they’re right out of an episode of CSI: MIAMI. I mean, he starts off the movie saying “MEEEEOOWWW.” Oh, how the might have fallen. I remember when he was playing Caligula and fucking Helen Mirren. Oh, and a GLEE reference? Go fuck yourself, SILENT NIGHT.


The score is a bit whimsical like it was ripped out of a Family Channel movie, the shaky cam is nauseating, the shaky-cam during deaths takes me out of it, and Donal Logue shows up to remind me that he is deserving of better roles (BRING TERRIERS BACK). Although I hear GOTHEM is alright but I have enough shit to watch, AMERICA.
But even with the technical stuff in the way, the main gripe I have with SILENT NIGHT is its abandonment of the original material for a low-rent slasher film. Listen, I don’t mind new takes on old material. I really liked the EVIL DEAD remake because reinvented the series without deviating from the original themes. I know people hate it and some of you might be clicking out of this post just because I said that but whatever, I’m open minded.
SILENT NIGHT, DEADLY NIGHT, if I can briefly recap for you, took an orphan named Billy who was thrown into an orphanage after the tragic death of his parents. Since that moment, Santa represented the rape of his mother, therefore merging violence and sex in Billy’s mind. It didn’t help that he was in an institution that’s run by nuns. Billy had to repress his thoughts and sexuality until one night where his brain broke and he slashed his way to his old orphanage.
The original is not a “good” movie or directed well, and it’s only remembered for the protests it started outside theaters. But, there are interesting, Freudian themes there that makes it fun to watch and pick apart. Like FREDDY’S REVENGE, it’s a movie that works on a level that you wouldn’t expect and that is why I enjoy revisiting it.

Now take SILENT NIGHT which, alright, I’ll list off what I think is decent about it:
The kills are usually well done enough to watch. Well, aside from the fucker having to tilt his head every time which is apparently what every director thinks a killer should do. We have HALLOWEEN to blame for that.
Donald Logue is charismatic enough and helps brighten up the uninteresting script.
Deputy Bradimore is the most fleshed out character with plenty of impetus to find the killer.
The opening scene is alright, I guess.


SNDN followed the life of Billy so that when he threw a girl up on some antlers like he doesn’t give a fuck, we knew why he did it. The Santa in SN is turned into an imitation of Leatherface or so they would like you to believe in the opening clip. The difference between SNDN and SN with the kills, is that in the original, they were warranted, at least in the mind of Billy. In SB, Santa looks to only show up randomly and kill shitty kids who want to go shopping and dads who smoke? The randomized killing makes SN out to be just a slasher with no impact. It’s as if they wanted the Santa to be like Sam in TRICK ‘R TREAT. Also note the millions of Santas walking around. It’s not Halloween and no town has a fuck-ton of Santas unless it’s Santa-Con in NYC.
There are a few homages in SN that miss the point, as well. The first being the grandpa. If you remember from SNDN, the grandpa was a foreshadowing of things to come. It was cheesy and creepy, but set the tone for the film. The grandpa was the grandpa of Billy, too, so it added to that fucked up layer in the kid’s head. In SN, the grandpa tossed in to yell at a grandson (who is boning Tiffany with regularity, now) who later gets offed because whatever.
Which leads me to the second homage which I found annoying. Tiffany, I assume, who the deadbeat, Hanson-looking motherfucker was going to bone, gets impaled on the antlers. Now, in SNDN, that scene added to the idea that violence was sex in Billy’s mind. The antlers were phallic and you can put the two together, right? Once again that death had meaning, as trivial as it was.
Oh, and then there’s the “garbage day” reference. Good job, guys.
Then there is the ending of SN which decides to dump a backstory in the last five minutes. By the time we get to the end, no one cares it was some limp dicked revenge story. It comes out of nowhere, seemingly. I guess they wanted to give Santa a reason to kill people? But if he was after Bradimore, why didn’t he just show up at her house? The killer does all this extra legwork to avenge his daddy from years ago. He moves around the town like he’s Dr. Manhattan. It hardly resonates (even with that slow-mo burning dad scene) with me as a justification for anything he was doing. The end of SNDN on the other hand made much more sense. Billy was out to destroy what started it all – the orphanage. That was a logical conclusion to an otherwise clunky movie. I could get behind it.
SN misses the point of SNDN and does nothing with its new spin on the franchise. It’s a boring slasher with solid kills. It’s worth watching a highlight reel on YouTube, maybe, but there are other films you could waste time with. Like, watch the original again.

Silent Night (Trailer)

 - Jesse Bartel

Emmet Otter's Jugband Christmas (A Shitmas Post from Eric Martin of Guts and Grog)

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This was definitely an integral part of my childhood. I watched it pretty much every Christmas, and still do. Jim Henson had a way about himself when it came to puppets, and this is one of his finest works.
It starts off with a couple of otters singing some Country songs, while rowing down the river. We meet some characters as we head down the river, including the coolest frog ever. This little excursion sets up the movie. We find out that Emmet and his mom are good people, and that they don't even have two dimes to rub together. This all becomes important when they have to decide to play it safe, or take on The Nightmares in a competition.


Let's start with the Otters. Like I said, they are good people. They do anything they can for money, but half the time don't take the money, because the others need it more.They find simple things to pass their time. Hell, they even take a cue from Cru Jones and go ass sliding. Emmet, along with a group of other animals start a Jugband. They are going to enter the talent contest, and Emmet is going to buy his mom a piano with the prize money. Ma is doing a solo act, and she is going to buy him a guitar. These are very thoughtful otters.

We first meet up with The Nightmares when they are causing ruckus in town, and end up in the music store. They kick out some sweet jams, but they are kind of assholish, so no one is amused.
The talent show is one of my favorite scenes. It is almost surrealistic in its execution. A horse cut in half dancing, flying rabbits, and more. I felt like I was watching the talent show scene from Twin Peaks. Emmet and his Jugband kill it. Ma inspires everyone with her beautiful pipes, and The Nightmares that really slay it. Imagine if Blue Oyster Cult were actually puppet animals. That's The Nightmares.

I assume there are some morals here, but who gives a shit? I just like watching Swamp People the puppet musical. Iimagine you're not supposed to root for The Nightmares, but they are just so much cooler. I imagine they do a lot of blow, and get all the babes. Sure Emmet and his posse have love, friendship, hell, even ass sliding, but The Nightmares know how to party.
All joking aside, this is a must watch at The House of Grog every Xmas season. It is funny, heartwarming, surreal, and most importantly, entertaining.
-Tromeric
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